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Industry insiders feel that reverse marketing is being employed by Johar to garner curiosity about his production. There are memes and mockery reels all over social media that any sane artist or actor will find disrespectful. Yet, Johar, Alia Bhatt (the maximum jokes target her poor performance) seem unfazed. Nagarjuna, Amitabh Bachchan, Mouni Roy and Ranbir Kapoor are tight lipped, too. Are these influencers acting on behest of Johar to get their followers to at least go for a 'nonsense comedy' if not a legitimate treatise on Hindu iconography? If this plug works, then it enforces Johar's knowledge that not everyone is particular about quality content in India, a truth his and a lot of Bollywood careers flourished on. After all negative publicity is also publicity, right? So what if influencers and content creators are making cruel jokes about the film and Bhatt's monotonous dialogue delivery. If that drives some people to go for the film, the producer's purpose is solved. A section of people are endorsing the film highly because of the VFX without emphasizing how only fancy graphics should not constitute good cinema. In the absence of a sound narrative and a solid story, celebrating Brahmastra only means glorifying mediocrity. When Indian cinema is continuously dishing out relatable content from Marathi, Gujarati, Telugu (Karthikeya 2 has floored the audience from the Hindi belt), Kannada and OTT productions, why is this misrepresented, insipid work being touted as 'Indian cinema has come really far'. A lot of voices are justifying their decision to watch it saying that at least it presents a version of 'Hinduism' (Hussain Dalal's dialogues have used extensive Urdu and Farsi words and the Sanskrit shlokas in the BGM seem like an afterthought in a film that was earlier named Dragon) and for youngsters with limited clue of Sanatana or Indic characters this could be a 'cool' initiation. I ask these self-appointed experts on Sanatana Dharma one question, "Who gives Bollywood the right to present Rumi's philosophy of light as a concocted discourse on my religion? Would they dare to take similar creative liberties while depicting Islamic or Christian philosophies?" Why should youngsters learn about the Hindu world view (it's definitely not an ism) from a Bollywood commercial production that lacks research and in-depth study of our scriptures? Won't they jeopardize the foundation of their knowledge that way? Moreover, why trust an industry that has always fed contrived narratives about the Hindu religion and Mughal history to its audience to suit their vicious agenda? Also, proud Hindus know how awesome their religion is. They don't need a bunch of hypocrites informing them about its cool quotient with their loose depiction of Hindu iconography.

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review amazon products and get paid via affiliate links 2023/9/28

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Industry insiders feel that reverse marketing is being employed by Johar to garner curiosity about his production. There are memes and mockery reels all over social media that any sane artist or actor will find disrespectful. Yet, Johar, Alia Bhatt (the maximum jokes target her poor performance) seem unfazed. Nagarjuna, Amitabh Bachchan, Mouni Roy and Ranbir Kapoor are tight lipped, too. Are these influencers acting on behest of Johar to get their followers to at least go for a 'nonsense comedy' if not a legitimate treatise on Hindu iconography? If this plug works, then it enforces Johar's knowledge that not everyone is particular about quality content in India, a truth his and a lot of Bollywood careers flourished on. After all negative publicity is also publicity, right? So what if influencers and content creators are making cruel jokes about the film and Bhatt's monotonous dialogue delivery. If that drives some people to go for the film, the producer's purpose is solved. A section of people are endorsing the film highly because of the VFX without emphasizing how only fancy graphics should not constitute good cinema. In the absence of a sound narrative and a solid story, celebrating Brahmastra only means glorifying mediocrity. When Indian cinema is continuously dishing out relatable content from Marathi, Gujarati, Telugu (Karthikeya 2 has floored the audience from the Hindi belt), Kannada and OTT productions, why is this misrepresented, insipid work being touted as 'Indian cinema has come really far'. A lot of voices are justifying their decision to watch it saying that at least it presents a version of 'Hinduism' (Hussain Dalal's dialogues have used extensive Urdu and Farsi words and the Sanskrit shlokas in the BGM seem like an afterthought in a film that was earlier named Dragon) and for youngsters with limited clue of Sanatana or Indic characters this could be a 'cool' initiation. I ask these self-appointed experts on Sanatana Dharma one question, "Who gives Bollywood the right to present Rumi's philosophy of light as a concocted discourse on my religion? Would they dare to take similar creative liberties while depicting Islamic or Christian philosophies?" Why should youngsters learn about the Hindu world view (it's definitely not an ism) from a Bollywood commercial production that lacks research and in-depth study of our scriptures? Won't they jeopardize the foundation of their knowledge that way? Moreover, why trust an industry that has always fed contrived narratives about the Hindu religion and Mughal history to its audience to suit their vicious agenda? Also, proud Hindus know how awesome their religion is. They don't need a bunch of hypocrites informing them about its cool quotient with their loose depiction of Hindu iconography.
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